140 Ways to Make a Tape Unlistenable
A former tenant of my wife’s was a noise musician who left crates of cassettes behind when he moved out. Instead of simply tossing or donating them, I came up with as many interesting ways to not necessarily destroy them, but make them unlistenable. The idea came from the tapes, which were esoteric and already “unlistenable” to many. I executed and documented about half of the list’s items, presented here in book form.
Dan Nelson is a writer and conceptual/visual artist who lives in the Hudson Valley. He is the author of 140 Ways to Make a Tape Unlistenable (Informal Noticings). His work has appeared in The Believer and, most recently, The Racket.
http://thedannelson.com/
thedannelson@proton.me
Assisted Living
This catalog commemorates the exhibition by Kathleen King at Your Mood Projects, San Francisco. March-April, 2025.
~~ email Kathleen your address for a FREE copy ~~
Kathleen King is a San Francisco Bay-Area based artist who makes sculpture, assemblage and installation comprised of materials gathered from the waste stream. Presenting an ethos of urban streets from construction sites to encampments, the work reflects states of co-existence, contingency and control as it agitates new meanings from things we discard. King challenges viewers to look at abandonment as both material and spiritual conditions, as well as to think about satisfaction, which is linked to global climate catastrophe and consumption.
https://kathleenking.carbonmade.com/
kathleen0614@gmail.com
Writing Without Permission Edited by Selby Sohn
Zine printed at the library, hand-sewn, and available at Your Mood Projects.
Obscure Object Hannah Möller
In Möller’s first book, Obscure Object, the artist explores visual research through the fragmentation of her art materials. She views the book as “notes” or an extended metaphor, where research floats and spirals.
Hannah Möller is a visual artist focused in the expanded field of painting. In constant search for the impossible view: Her art-making apparatus consists of painting, drawing, sculpture, and creative writing. Transfixed by the non-linear aspects of memory, the malleability of poetry, and the whimsy of fiction. She often views her abstractions as hypotheticals and prose: or pseudo-sutures oscillating inside a larger constellation of inherently secular ideas.
36 editions; mixed media
https://hcmoller.com/
hannah.c.moller@gmail.com
Szívküldi Lakótelep: the urge for phygital, ludic communities
Judit NavratilThis publication is based on the author’s doctoral research in Artistic Research at the University of Applied Arts Vienna (Angewandte), originally submitted as a Reflective Document in 2025. It traces Judit Navratil’s long-term, practice-based inquiry into digital belonging and topophilia. It engenders community-making across social VR through embodied, participatory forms. Navratil’s artistic research PhD is framed by her experience as an immigrant in continuous transit and movement.
Judit Navratil’s practice is multivalent, engaging performance, social practices, drawing, as well as video and extended realities. Her projects are mappings of what it means to continuously oscillate in-between phygital; an immigrant’s attempt to re/construct “home.” Navratil keeps balance through her compass-meditation: Long Distance Somersaulting. Rolling as far as she can helps her seek higher alternatives and to gaze in the Eye of the Hurricane.
First Edition, 2026
Design and layout: Ferenc Navratil
Printing: Printer, city, Hungary
© 2026 Judit Navratil. All rights reserved.
This publication may be shared in non-commercial academic contexts with proper citation. The author retains the right to deposit author versions in open-access repositories.
https://www.juditnavratil.com/
navratiljudit@gmail.com
